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Graphic Design

Choosing the Best PDF Preset in InDesign

Choosing the Best PDF Preset in InDesign

InDesign provides PDF presets so that you have fewer choices to make (and fewer details to actively remember). Presets group multiple panels of choices into the most common combinations for various workflows, such as commercial printing, desktop printing, and digital publishing.

But can you really trust a preset to take care of the piece you worked so long and hard to create? At the same time, how in the world would you expect to remember all of the available print options every single time you need a PDF?

Don’t worry about the learning curve; InDesign’s PDF presets aren’t standalone. If you’ve used other Adobe Creative Cloud applications to generate PDFs, you’ll likely notice something familiar about InDesign’s available preset options. You’ll find the presets in similar places when creating PDFs from both Illustrator and Photoshop.

You can quickly access InDesign’s PDF presets right from a flyout in the File menu. Go to File –> Adobe PDF Presets, and you’ll see all of your options right there.


InDesign pdf presets dialog

 

If you ever need a quick reminder of what a particular preset does from within your InDesign document, you can choose File –> Adobe PDF Presets –> Define, and as you choose each preset, you’ll see a straightforward “Preset Description” right there in the dialog box.

 

pdf quality settings

 

Let’s go ahead and look at the best applications for each.

 

“High Quality Print” PDF Preset

According to InDesign, this preset will produce PDF files suitable for “high-quality printing on desktop printers and proofers.” What settings are most suitable for this particular application? Both color and grayscale images above 300 ppi will be downsampled to 300. Colors are left alone, so RGB and CMYK images will each remain in their native color spaces.

All transparency settings will also be left alone. Note that Acrobat and Acrobat Reader 5 are the minimum versions required for compatibility with these preset settings (which shouldn’t be a problem these days).

 

pdf presets high quality
 
 

What is PDF/X?

PDF/X standards are the best choice when your printer hasn’t provided you with specs. They’re a safe bet if you want to be sure your printer will be able to open your file, while also minimizing any printing errors. Adobe developed this set of ISO standards for print workflows by addressing input from other industry professionals and vendors. Because these standards are geared toward producing more universal print-ready PDFs, printers will often take the easiest route and encourage clients to choose the PDF/X presets.

 

“PDF/X-1a:2001” PDF Preset

PDF/X-1a:2001 takes away compatibility with Acrobat 5 and downgrades it to Acrobat 4. All of your colors (whether RGB or CMYK) will automatically be converted to CMYK, although any spot colors you’ve set will stay intact.

You’ll also need to be proactive about transparency flattening, and may want to specify your own settings for transparency treatment.

To do this, you can go to File –> Adobe PDF Presets –> Define as shown above, then choose “PDF/X-1a:2001” and click the “New” button.

 

pdf presets pdf x-1a:2001

 

Then, select “Advanced” from the left menu and use the “Transparency Flattener” down to make your choice.

 

pdf presets transparency flattener

 

The “High Resolution Transparency Flattener” preset will best maintain the quality of your text and vectors, if that’s what you want. All images above 300 ppi resolution will be downsampled to 300 ppi if you have they’re higher.

 

adobe pdf presets settings
 
 

“PDF/X-3:2002” PDF Preset

Again, with this preset, your transparency will be flattened. If you want to choose your transparency settings proactively, you can follow the same instructions as above. PDF/X3:2002 is like the previous PDF/X setting, except it allows embedded RGB profiles to remain (no automatic conversion to CMYK).

It’s a helpful setting if your printer is planning on optimizing the color based on the printing environment. European printers tend to make more use of this format than American printers.

 

pdf presets pdf x-3:2002
 
 

“PDF/X-4:2008” PDF Preset

With this PDF/X present, since compatibility is set to the more recent Acrobat 7, you’ll be able to keep any transparency in your document intact.

This is the biggest advantage of the PDF/X-4:2008 formatting. You’ll also be able to maintain the quality of any high resolution images. Color-wise, you’re allowed to use RGB, CMYK, and greyscale. Your spot colors will stay intact, and you can even continue to use LAB or ICC profiles.

pdf presets pdf x-4:2008
 
 

“Press Quality” PDF Preset:

This is another bundle of settings that’s often commonplace when working with high-quality commercial printers. This preset will allow you to keep all transparency live in the document (no flattening required). Adobe Acrobat works well with live transparency, and also creates satisfying separations, so a printer who works out of Acrobat will be happy with any file output this way. It will be compatible as far back as Adobe Acrobat 5. Any RGB values will be converted to CMYK, and all images will be downsampled to 300 pp in cases where the actual resolution is higher.

 

adobe pdf presets press quality
 
 

“Smallest File Size” PDF Preset:

“Smallest File Size” is most important where size matters, and size matters most on the web. In order for your document to be accessible to as much of your audience as possible, you’ll want to choose this preset for anything you’re planning to send via email or display on a screen.

Anything that’s both color and high resolution will automatically be downsampled to 100 ppi. Grayscale images can stay as high as 150 ppi. You’ll be able to play well with anything as far back as Acrobat 6, and you can keep your transparency and any layers intact.

 

pdf presets smallest file size
 
 

Custom InDesign Presets

The above settings will satisfy your print-worthy document needs almost all of the time, especially when you’re part of a professional environment using a typical print workflow. If, however, you have special considerations (or just want to get fancy), there’s more than one way to customize presets for your needs in InDesign.

We don’t need to cover every possible preset customization, but here are a couple of suggestions for more common needs:

  • If you need to make your InDesign files interactive once saved as PDFs, you can go to File –> Adobe PDF Presets –> Define, then choose your preset setting and hit “New.”
define adobe pdf presets
pdf presets new preset
 
  • Then, choose “General” from the left side menu and pick your desired Hyperlinks and Interactive Elements from the bottom of the dialog:
pdf presets new export preset
 
  • If your printer is asking you for crop marks, bleed marks, or other printer’s marks, you can go to File –> Adobe PDF Presets –> Define, then again choose your preset setting and hit “New.”
pdf presets pdf x-1a:2001 new preset
 
  • Then, in the dialog box, choose “Marks and Bleeds” from the left side menu and check the box for “All Printer’s Marks” in the top section.
adobe pdf presets all printers marks
 
 

Saving Your PDF Preset

Once you’ve added your additional customizations to any of the PDF Presets in InDesign, you’ll want to name your preset in the top field of the dialog box.

pdf presets save preset
 

Then, click the “OK” button at the bottom right of the dialog box.

 

pdf presets ok
 

Your preset will have automatically been added to the Adobe PDF Presets dialog.

 

pdf presets list of presets

Congratulations, and happy customizing!

 

Need creative or technical advice on working with your PDF?
Call our helpful experts now at 800-930-6040

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CD Cover Size Specifications

CD Cover Size Specifications

How to Create your Own Custom CD Covers

CD Cover designs

Need custom CD covers for your corporate presentation or sales tools? Follow these simple CD cover size specifications to create the graphics for an eye-catching and informative CD jacket. And check out other products such as Presentation Folders and Brochures to help market your business.

It’s easy to produce a professional looking CD cover printed inside and out using whatever software tools you have on your computer. You can start from scratch in any layout program including Microsoft Word, Publisher or PowerPoint as well as traditional graphic arts programs such as Adobe Photoshop and Illustrator. Just use the simple diagram below to size your file and create any needed bleeds.


CD Cover Size Specifications for Printing

The finished dimensions for the outside of printed CD covers are 4.724 inches square. Many printed designs include bleed. The “bleed area” is an extra 1/8″ of space for design elements or backgrounds to extend beyond the finished size of your piece. A CD cover with bleeds is printed slightly oversized (4.974 inches square) and then cut down to size, giving the appearance that the printing “bleeds” off the edge of the cover rather than having a white border.

The finished dimensions for the inlay card are not square to accommodate the folded part needed to make the spines on each end. The inlay card creates the cover for the back and both spines, while the CD Cover inserts into the lid of the CD case.

 

CD Cover and Inlay Card

CD Cover Size Specs
CD Inlay Card Size Specs
 
 

Printed CD Cover Design Tips

When creating your CD cover design file, use these tips:
  • Make the document page size equal to the cover size plus the bleed area or 4.974″ x 4.974″ to be trimmed down to the finished size after printing. If you aren’t planning to include bleeds, the bleed area isn’t necessary so set the document size to the finished size of 4.724″ square.
  • Play it safe near the borders. Because cutting may vary ever so slightly, it’s a good idea to keep all of your valuable text and logo information within the design safe zone. This zone is the 1/8 inch around the margin of your cover or inlay card.
 
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What is Embossing or Debossing?

What is Embossing or Debossing?

examples of embossing and debossing

Have you ever run your hand over a topographical globe, the kind that has bumps and recesses to depict the world’s peaks and valleys? You almost can’t help but touch them; the raised relief is as appealing to your eye as it is to your fingertips.


Embossing has a similar effect. Embossing (and its opposite, debossing) are two techniques used to either impress or depress an image into paper. These popular print effects are ideal for giving your print piece a fresh, contemporary look — and when combined with other effects, like foil stamping, embossed designs can transform a great piece to a luxury one.

Which should you choose for your project? It all comes down to your preference. Let’s look closer at both the embossing and debossing process.

What is Embossing?

To emboss, a commercial printing company uses two main things: a die, which is a personalized metal plate that’s cut into the image you want to emboss, and stock (paper). The die presses into the stock like a stamp and slightly raise images off the paper of your print piece. The die can be single-level or multi-level, where a single-level raises your image to one consistent height or depth, and a multi-level creates a more complex emboss or deboss.

The result is a three-dimensional effect that emphasizes a particular area of your design. People often emboss a company logo, a custom illustration, initials, or a pattern for a luxurious effect.

When most people think of embossing, they think of raised effects on paper like business cards, greeting cards, and invitations. But embossing can be done on other materials like metal, acrylic, leather, wood, and cloth. In this piece, however, we’ll focus on embossing paper, combining embossing with other effects, and prepping your design for the best outcome.

The Embossing Process

The first part of the commercial embossing process is the creation of the die, which is made up of two metal plates (front and back, also called the counterdie) that will sandwich the paper. The printer creates the die by either hand-tooling, routering, or photo-etching the image that will be embossed onto the two metal plates.

Next, the printer places the stock between the front and back of the die. If you’re having an image embossed, the female die will go on top of the stock and male die will go on the bottom as the counterdie. When debossing, the male die goes on top and the female die will serve as the counter.

Then, using both heat and pressure, the die presses into the paper and create a relief of the image. This process is called a blind emboss because the embossed image isn’t colored with any kind of ink or foil — it’s simply raised or depressed off the paper.

However, if you want to combine special print effects or add color to your die, you can! A registered emboss or a combination emboss combines an emboss with ink or foil to alter the appearance of your embossed image. Adding shimmery foil to an embossed logo or name is a common practice to create a striking or luxurious custom effect.

 

combination emboss

What is Debossing?

Think of debossing as the opposite of embossing. Debossing is when an image (logo, text, etc.) is imprinted into your print piece, creating a depressed effect. Just like embossing, you can choose to leave the debossed area untouched or fill it in with ink or foil stamping.

Unlike embossing, debossing doesn’t interfere with the back of your print piece, giving you both sides to work with. It can be used on its own, or in conjunction with embossing.

Considerations for Embossing and Debossing

Not all images emboss well — and you’ll save money and time in the long run by spending a little more of both upfront to get your project right. Here are the top things to consider before you emboss an element of your printed design.

  • Start with vector art. Ask your designer to submit the final design as a vector art file, rather than a raster file. Vector art is made up of mathematical rules that enable it to be resized up or down without compromising quality, and so these files will translate the smoothest into an embossing die.
  • Choose the ideal section of your design to emboss. Text, logos, a single image, initials, and a small pattern or embellishment work best with embossing. Although there are no hard-and-fast rules, an emboss or deboss looks best when it’s used as an accent rather than as a whole piece. An exception might be a recurring pattern on the cover of a small printed piece like an invitation or a business card, where embossing a repetitive element on the entire side of a piece adds a touch of class.
  • Use simple artwork. Because embossing and debossing adds literal dimensionality to a 2D image, embossing actually looks best when it’s done on simple artwork. Artwork that’s shaded, colored, or otherwise designed to look 3D might appear distorted when embossed — so keep it simple.
  • If you’re doing a multi-level emboss, your deepest areas should be the largest parts of the design. If you go too deep with your emboss on a very small section of your design, the paper is more likely to tear. Save your deep embossing for larger sections of your artwork.
  • Use a heavier paper stock, if possible. The most effective embossed pieces use a detailed die and heavier paper stock to highlight the depth and detail of the embossed graphics or images.
  • Consider the back of your print piece, as embossing will affect the design of this area. This doesn’t make embossing a limitation, but an opportunity to add some really cool visuals to your piece.

Embossing or debossing create the kind of printed pieces that stand out where others fall flat. They’re the business cards a person can’t quit running a finger over, or the wedding invitations that embody a day of elegance. While the cost runs a bit different than your standard print job, it’s worth it when your print pieces do what they were meant to—make memorable impressions that get you noticed.

Talk to a printing professional today about using embossing or debossing for your next project, call us at 800-930-2423!

 

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Business Forms and Invoice Form Samples

Business Forms and Invoice Form Samples

These printed examples from different industries show a variety of ideas for designing your own invoice, receipt or business form. A carbonless 2 part form is the most commonly used, but a 3 part form is also popular. 4 part, 5 part and 6 parts are also available for those needing more copies of a business invoice.

A common invoice printing format is black ink with one PMS color for a company logo or title that adds some color and highlighting for not much additional cost. But use 4 color process for a form that will really stand out and reinforce your brand to those using your forms, as well as improved usability with color coded sections or elements.


8.5 x 11 Full Color Forms

These good looking 4 color forms all use color printing to achieve a more visually interesting and functional design, significantly enhancing the user experience and making a more professional impression that can help increase sales and customer retention.

2 part full color NCR form 3 part full color NCR form 2 part color NCR form  3 part color NCR form full color work order form full color sales form full color purchase order full color invoice form construction work invoice form 2 part service order 3 part 4 color purchase order 3 part 4 color business form

 

One or Two Color Forms

These forms all use 1 color black printing or a PMS ink as a primary or second color. Screened areas and images can make a 1 or 2 color form look better and easier to use.

2 part application form project form 2 part PMS color form black ink form with images 2 part order form auto detail form order form invoice form repair order form PMS color invoice form order acknowledgement form 2 part form

 

Half Size Forms

These compact, roughly 5.5 x 8.5 forms are half the size of a standard form and are useful when less information is needed. They are less expensive to produce so are great for a tight budget.
half size business form half size form 5 x 8 business form business form half sheet 2 color form
 
 

Non-Standard Size Custom Business Form Samples

These forms are slightly smaller or larger than the standard 8.5 x 11. The two inside examples are narrower and the outside wider than normal. Custom invoices or forms can be made in many sizes and formats to meet your specific business needs.
custom size form custom invoice form custom size invoice form custom dental work form
 
 

11 x 8.5 Horizontal Format Form Examples

The landscape format is a great option for forms that have longer input fields needing longer descriptions. One popular use for business forms is the dental form shown on the right. The forms in the top row are all 4 color forms and show how much nicer they look than just black ink.
4 color horizontal invoice form 4 color horizontal form horizontal dental work form bid sheet form work order form horizontal receipt form
 

8.5 x 14 Legal Size Forms

These larger size forms are used when more information needs to be collected and stored. The extra colors help a lot with better usability when more elements are required.

3 part legal size form custom legal size form legal size invoice form

Need help with a form printing project?
Talk to one of our experts at 800-930-2423.
 
Free business form, invoice form and receipt templates
Lots of downloadable business forms from Office Depot
 
Form Pricing and Ordering

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Business Card Size Specifications

Business Card Size Specifications

Printing for Less also offers business card printing and design services. We’ll take care of the details and design so you don’t have to!

Once you know the standard dimensions to use, it’s easy to produce a professional-looking business card using whatever software tools you have on your computer. You can start from scratch in any layout program, including Microsoft Word, Publisher or PowerPoint as well as traditional graphics programs such as Adobe Photoshop and Illustrator. You can also get a fast start by using customizable templates provided by services such as Canva or you can download business card templates from our expert designers.


Business Card Size and Setup

The standard dimensions of a printed business card are 3.5 x 2 inches. That’s the finished card size.

Many printed designs include bleed. The “bleed area” is an extra 1/8 inch of space for design elements or backgrounds that extend beyond the finished edges of your card. A business card design with bleed is printed slightly oversized and then cut down to size, giving the appearance that the printing “bleeds” off the edge of the card, rather than having white borders.

When creating your business card design file, use these sizing tips:

Template for standard 3.5” x 2" business card

  • Make the document page size equal to the card size plus the bleed area, or 3.75″ wide x 2.25″ high, to be trimmed down to the finished size after printing. If you aren’t planning to include bleeds, the bleed area isn’t necessary, so set the document size to the finished size, 3.5 x 2 inches.
  • If you’re designing a vertical card with the long size up, simply switch the page width and height so you won’t have to rotate the card to see the design the way you intend it.
  • In the metric system, the standard business card size is 8.9 x 5.1 cm (centimeters) or 88.9 x 50.8 mm (millimeters).

Play it Safe Near the Borders

Because cutting may vary ever so slightly, it’s a good idea to keep all of your valuable text and logo information within the design safe zone. This zone is the 1/8 inch around the margin of your card. Make sure your text is within the 3.25 x 1.75 inch area of your card. You wouldn’t want to have the last digit of your phone number trimmed off!

Designing with borders can be tricky. Thin borders outside the safe zone that are less than 1/8th inch thick may not trim evenly. To avoid an “off-center” look, keep border lines or other thin lines away from the edge of your business card, within the safe zone.

Two-Sided Business Card Sizes and Custom Business Cards

Using double-sided business cards is a good idea when you need more space to work with or want to provide a special offer or extra info about your company or product. Create a separate page in your file for the back side, keeping each page with the size specifications above. There are many options available for commercial printing of custom business cards including round corners and custom printing effects. Our team of print experts can help you with some of the technical aspects of using these effects. Send us your file and we can give you advice on how you can enhance and improve the design to stand out from the crowd.

Request a Quote to get a price on custom options.

Sample Custom Business Card Designs

Round corner business card.
Round Corners

Plastic business card with round corners.
Plastic Cards

Foil business card.
Foil Cards

 

Embossed business card example.
Embossing

Die cut business card.
Die Cutting

Popup die cut business card example.
Die Cut Popup

 

Folded Business Card Sizes

folded business card exampleAnother popular option is a custom folded business card or tent card. At twice the printable area of a standard business card, they can be used as handy mini brochure or greeting card. For folded business cards, set your file size to 3.75 x 4.25 with bleed, or finished size of 3.5 x 4 without bleed. Create two pages in your file, the first for the outside (front and back) of the card, the second for the inside. For both vertical and horizontal cards with long, short and offset fold layout specifications, see our Folded Business Card Templates with Design and Layout Instructions for examples and downloadable free templates.

Need advice or help with your business card design or layout?

Give our helpful printing experts a call at 800-930-2423, or

Get Business Card Pricing

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Fasten your seatbelts low and tight across your laps, ladies and gentleman, because we’ve got a quietly powerful creativity boost for you. This article, which combines full-page photos with insights from a fellow creative pro, will give you wings.


Sometimes a Logo Is Just a Logo
Quark’s new logo is strikingly similar to several others. Is it theft? A global conspiracy? Or a failure to follow basic design principles? Gene Gable gives you the dirt, including ways you can sidestep the same type of predicament.


Creative Fuel: Appreciate the View
Fire hydrants, taxicabs, a national book expo, and Central Park give Molly Joss a new outlook. What would open your eyes?


Creative Fuel: The Book Geek in Me
MMMmmmm, design books. The carefully chosen color palettes, the inspiring imagery, the sensual feel of the heavy paper stock. Molly Joss waxes rhapsodic and invites you to share your bibliocentric desires.


Creative Fuel: Tips for Stimulating Creativity
A nasty virus came with a silver lining — it gave Molly Joss the down time she needed to discover her inner Jackson Pollack and to create a plan for conjuring creativity anytime.


Creative Fuel for the Holidays: It’s in the Cards
The holiday season is a fine time to show your artistic side to clients and friends. But when the weight of expectation becomes too heavy, how do you light the creative spark? Molly W. Joss takes you through her annual internal debate.

 

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