Choosing the Best PDF Preset in InDesign

InDesign provides PDF presets so that you have fewer choices to make (and fewer details to actively remember). Presets group multiple panels of choices into the most common combinations for various workflows, such as commercial printing, desktop printing, and digital publishing.

But can you really trust a preset to take care of the piece you worked so long and hard to create? At the same time, how in the world would you expect to remember all of the available print options every single time you need a PDF?

Don’t worry about the learning curve; InDesign’s PDF presets aren’t standalone. If you’ve used other Adobe Creative Cloud applications to generate PDFs, you’ll likely notice something familiar about InDesign’s available preset options. You’ll find the presets in similar places when creating PDFs from both Illustrator and Photoshop.

You can quickly access InDesign’s PDF presets right from a flyout in the File menu. Go to File –> Adobe PDF Presets, and you’ll see all of your options right there.

If you ever need a quick reminder of what a particular preset does from within your InDesign document, you can choose File –> Adobe PDF Presets –> Define, and as you choose each preset, you’ll see a straightforward “Preset Description” right there in the dialog box.

Let’s go ahead and look at the best applications for each.

“High Quality Print” PDF Preset

According to InDesign, this preset will produce PDF files suitable for “high-quality printing on desktop printers and proofers.” What settings are most suitable for this particular application? Both color and grayscale images above 300 ppi will be downsampled to 300. Colors are left alone, so RGB and CMYK images will each remain in their native color spaces.

All transparency settings will also be left alone. Note that Acrobat and Acrobat Reader 5 are the minimum versions required for compatibility with these preset settings (which shouldn’t be a problem these days).

What is PDF/X?

PDF/X standards are the best choice when your printer hasn’t provided you with specs. They’re a safe bet if you want to be sure your printer will be able to open your file, while also minimizing any printing errors. Adobe developed this set of ISO standards for print workflows by addressing input from other industry professionals and vendors. Because these standards are geared toward producing more universal print-ready PDFs, printers will often take the easiest route and encourage clients to choose the PDF/X presets.

“PDF/X-1a:2001” PDF Preset

PDF/X-1a:2001 takes away compatibility with Acrobat 5 and downgrades it to Acrobat 4. All of your colors (whether RGB or CMYK) will automatically be converted to CMYK, although any spot colors you’ve set will stay intact.

You’ll also need to be proactive about transparency flattening, and may want to specify your own settings for transparency treatment.

To do this, you can go to File –> Adobe PDF Presets –> Define as shown above, then choose “PDF/X-1a:2001” and click the “New” button.

Then, select “Advanced” from the left menu and use the “Transparency Flattener” down to make your choice.

The “High Resolution Transparency Flattener” preset will best maintain the quality of your text and vectors, if that’s what you want. All images above 300 ppi resolution will be downsampled to 300 ppi if you have they’re higher.

“PDF/X-3:2002” PDF Preset

Again, with this preset, your transparency will be flattened. If you want to choose your transparency settings proactively, you can follow the same instructions as above. PDF/X3:2002 is like the previous PDF/X setting, except it allows embedded RGB profiles to remain (no automatic conversion to CMYK).

It’s a helpful setting if your printer is planning on optimizing the color based on the printing environment. European printers tend to make more use of this format than American printers.

“PDF/X-4:2008” PDF Preset

With this PDF/X present, since compatibility is set to the more recent Acrobat 7, you’ll be able to keep any transparency in your document intact.

This is the biggest advantage of the PDF/X-4:2008 formatting. You’ll also be able to maintain the quality of any high resolution images. Color-wise, you’re allowed to use RGB, CMYK, and greyscale. Your spot colors will stay intact, and you can even continue to use LAB or ICC profiles.

“Press Quality” PDF Preset:

This is another bundle of settings that’s often commonplace when working with high-quality commercial printers. This preset will allow you to keep all transparency live in the document (no flattening required). Adobe Acrobat works well with live transparency, and also creates satisfying separations, so a printer who works out of Acrobat will be happy with any file output this way. It will be compatible as far back as Adobe Acrobat 5. Any RGB values will be converted to CMYK, and all images will be downsampled to 300 pp in cases where the actual resolution is higher.

“Smallest File Size” PDF Preset:

“Smallest File Size” is most important where size matters, and size matters most on the web. In order for your document to be accessible to as much of your audience as possible, you’ll want to choose this preset for anything you’re planning to send via email or display on a screen.

Anything that’s both color and high resolution will automatically be downsampled to 100 ppi. Grayscale images can stay as high as 150 ppi. You’ll be able to play well with anything as far back as Acrobat 6, and you can keep your transparency and any layers intact.

Custom InDesign Presets

The above settings will satisfy your print-worthy document needs almost all of the time, especially when you’re part of a professional environment using a typical print workflow. If, however, you have special considerations (or just want to get fancy), there’s more than one way to customize presets for your needs in InDesign.

We don’t need to cover every possible preset customization, but here are a couple of suggestions for more common needs:

Saving Your PDF Preset

Once you’ve added your additional customizations to any of the PDF Presets in InDesign, you’ll want to name your preset in the top field of the dialog box.

Then, click the “OK” button at the bottom right of the dialog box.

Your preset will have automatically been added to the Adobe PDF Presets dialog.

Congratulations, and happy customizing!

CD Cover Size Specifications

How to Create your Own Custom CD Covers

Need custom CD covers for your corporate presentation or sales tools? Follow these simple CD cover size specifications to create the graphics for an eye-catching and informative CD jacket. And check out other products such as Presentation Folders and Brochures to help market your business.

It’s easy to produce a professional looking CD cover printed inside and out using whatever software tools you have on your computer. You can start from scratch in any layout program including Microsoft Word, Publisher or PowerPoint as well as traditional graphic arts programs such as Adobe Photoshop and Illustrator. Just use the simple diagram below to size your file and create any needed bleeds.

CD Cover Size Specifications for Printing

The finished dimensions for the outside of printed CD covers are 4.724 inches square. Many printed designs include bleed. The “bleed area” is an extra 1/8″ of space for design elements or backgrounds to extend beyond the finished size of your piece. A CD cover with bleeds is printed slightly oversized (4.974 inches square) and then cut down to size, giving the appearance that the printing “bleeds” off the edge of the cover rather than having a white border.

The finished dimensions for the inlay card are not square to accommodate the folded part needed to make the spines on each end. The inlay card creates the cover for the back and both spines, while the CD Cover inserts into the lid of the CD case.

CD Cover and Inlay Card

 

Build a Calendar in InDesign

I’m always amazed at how many people need to make calendars: big calendars, small calendars, one-month calendars, full-year calendars. Fortunately, InDesign offers a “make me a calendar” feature… no, sorry, not really. But it’s so easy to make a calendar in InDesign that it’s as though the program did have such a feature. The trick is to download a template or script that does a lot of the work for you.

1 – Download, install, and run

Calendar Wizard is available here.

 

After you download and unzip it, install it by putting it inside the InDesign > Presets > Scripts folder (in CS2) or inside the InDesign > Scripts > Scripts Panel folder (in CS3).

 

Note that this gives you four files: the script to make the calendar, a script to realign the calendars, a script to fit a calendar to a frame, and a readMe file with lots of good information on how the script works and how to use it.

 

After installation, you’ll immediately find it in InDesign’s Scripts panel (Window > Automation > Scripts). To run it, double-click on it in the panel (Figure 1). If you get an error at this point, simply open a document, then double-click on the script again.

 

2 – Choose the Date Range

The first two items in the Calendar Wizard dialog box (Figure 2) are straightforward: They let you choose the starting and ending months and year(s) for your calendar. You can pick any year from 2004 to 2017. If you were hoping for 2018, you’ll have to wait until next year; the script looks only 10 years ahead.

 

3 – Pick the Calendar Options

You can choose English, German, French, or Spanish from the Language pop-up menu to change the way the text appears (Figure 3). Next, pick whether you want the left column to be a Sunday or a Monday.

 

Note that some months take up only five rows and some take six. (If February 1 lands on a Sunday, it’ll take 4 rows.) In general, you should choose Auto from the Date Rows pop-up menu, but if you want to force all the months to the same number of rows, you can choose that here.

 

If you turn on the Include Mini-Calendar checkbox, you’ll get small versions of the previous and next month’s calendars inset into each month’s calendar. This takes longer to build and creates many more objects on your page, but it can be a good addition to one-month-per-page wall calendars.

 

Laying out a Document Vertically

InDesign is so flexible, you’d think it would be easy to lay out a spread vertically instead of horizontally—so that the spine is at the top and bottom, which many wall calendars require. Unfortunately, it isn’t easy. However, Anne-Marie Concepción came up with a great workaround you can read in full at InDesignSecrets.com. Here’s the gist:

1. Lay out the entire spread on a single page. For a 12-month calendar, you’d create 12 tall pages, each containing the image and calendar (Figure A).
2. Save the InDesign document.
3. Create a new InDesign document at the finished page size (half the height of the calendar).
4. Place the original InDesign document into the new one. (If you’re using CS2 or earlier, you’ll need to export a PDF of the tall document first and import that instead.) The first page of the new document should contain the top half of the tall document; the second page contains the lower half; and so on. If you used bleed guides in the original, full-height document, you’ll need to adjust for that in the Import Options dialog box when you import it.

In this model, you design in the tall document and print from the half-height one (Figure B). Then, whenever you edit the tall document, update the modified links in the Links panel of the print version.

 

By the way, if you’re making more than one calendar, just set the styles in one document and then choose Load Paragraph Styles in the Paragraph Styles panel menu to copy them from one file to another.

 

9 – Resize or Realign the Calendars

When you’ve created holiday and text layers, it can be frustrating if one of the grids gets out of alignment (Figure 8). Let’s say you change the height of the month name to be too large for its row. You can use the Type tool to adjust the row height, but now the holiday and text tables are out of alignment. Simply turn to a second script called realignCalendarTables.js, which comes with CalendarWizard.

 

Double-click the realignCalendarTables.js script to launch it. If you have one of the tables selected, it assumes that the selected table is the master—the one all other tables should match. If no calendar frames are selected, the script asks which calendars you want to realign (I usually choose All) and which layer should it assume is the master calendar. This script is easy and painless and saves a huge amount of time (Figure 9).

 

If your frame size changes, you’ll want to use the fitCalendarToFrame.jsx script, which does pretty much exactly what it says: The calendar stretches out to match the new frame size. Note that if you’ve adjusted rows or columns, those changes are lost—all the cells are of equal size after you use this script. Figure 7: CS3’s Cell Styles and Table Styles panels.