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Design Tips and Tricks

Color Psychology and Why it is Important to the Printing Industry

Image of female creative graphic designer working on color selection and drawing on graphics tablet at workplace
Image of female creative graphic designer working on color selection and drawing on graphics tablet at workplace.

Have you ever thought about what influences you to be drawn to purchase a product you have never physically held or seen? Is it the graphics? The aesthetic of the marketing campaign? The physical appeal of the models in the photos? The color palette of the design? All of the above?

The look of your marketing campaign can literally make or break your brand. But, did you know color can actually affect us physically and mentally, too? Psychologists refer to this phenomenon as color psychology.

Believe it or not, color affects us in ways most of us haven’t even stopped to think about before. It affects our moods and decisions, and can even affect our appetite and health. We will teach you a bit about color psychology so the next time you are planning a marketing campaign you can utilize psychology to sway your customers in the right direction.

The History of Color Psychology

The use of color to treat the mind and body has been practiced for thousands of years. The Egyptians were practicing color psychology way before the term “color psychology” was coined. They painted therapy rooms orange to lessen fatigue, purple to improve the skin, and blue to relieve pain.

Color has also been—and still is—used in one of the oldest holistic medicine practices in the world. This alternative medicine practice swears by using color to improve health by influencing our moods. With historical roots in India, Ayurvedic Medicine was developed more than 3,000 years ago, calling these mood-influencing colors doshas. Ayurvedic practitioners categorize people into three different doshas based on physical stature and each dosha is said to be influenced differently by different colors. Who needs Advil when we have color?

Although color has been used for therapy for thousands of years, color psychology was not actually studied until relatively recently. The first book on color psychology, Theory of Colors, was published in 1810 by German poet and artist Johann Wolfgang von Goethe. He wrote about the significance of different colors and how he believed different colors could trigger different emotions.

Scientists immediately rejected his theory because it was not backed by scientific research and was mainly based on his own opinions and insights. But, turns out he was onto something because since then, some of his insights have actually been validated by modern research. Who feels rejected now?

In 1942, neuropsychologist Kurt Goldstein tried to back Goethe with experimentation and scientific research, but his hypothesis was deemed inaccurate because he couldn’t get other scientists to back up his research either. But, his research has since played a massive role in modern color psychology.

Modern color psychology has consistently found scientific proof that color does indeed influence humans physically and mentally.

Researchers focus on three main areas when studying color psychology—color preference, physiological response to color, and effects of color on human emotion and behavior. Color preference is important for obvious reasons, if a person likes a specific color, they will be drawn to it. Researchers study physiological responses to color by measuring things like blood pressure, heart rate, and brain activity. To study the emotional effect color has on people, researchers use a psychological test called a semantic differential scale where they offer two adjectives opposite in meaning and are asked to place an object, in this case, color, where it belongs in relation to the adjectives presented. And to observe behavior, they run experiments to simply test and observe how different colors affect different choices and behaviors.

Why Color Psychology is Used in Marketing

Every color on the spectrum has been well researched and associated with different emotions. All the hard work has already been done, and you as a marketer can use this research to your advantage, and you absolutely should.

Studies have shown that 93% of buyers are influenced by visual appearance, and of that, nearly 85% are influenced by color alone.

For instance, if you think about yourself walking around a shopping mall don’t you think you would be way more likely to walk into a shop with funky colors and cool patterns rather than a store filled with beige and white clothes? Or imagine you’re walking around your city’s downtown, wouldn’t you think you’d be more inclined to stop and read, or even just notice a poster if it was vibrant and bright as opposed to one printed in black and white? 

Color is something you should always be thinking about when beginning a new marketing campaign. You can literally influence your audience with color alone. And although not every person is influenced the same way, there are a few general color theories you should be aware of.

Some Colors and What They’re Good For

The color wheel is generally divided in half creating two categories of colors – warm colors and cool colors. Each is associated with different emotions. Warm colors like red, orange, yellow, and light green provoke emotions such as passion, enthusiasm, energy, and happiness. Whereas cool colors like purple and blue and darker greens elicit calmness and professionalism. However, as much as you may really want to invoke something in your audience, it is not advised to overuse one side of the color wheel over the other; balance is still key.

Purple – Purple is most commonly known as the color of luxury, it’s viewed as regal and dignified. It is also associated with imagination and spirituality making a perfect balance between physical and spiritual. Being a cool color it is known to soothe and calm the mind bringing peace and confidence in decision-making to consumers. Beauty brands like Urban Decay, Aussie, and Tarte all use purple in their logos. Being associated with things such as luxury, imagination, and physicality, beauty and anti-aging brands often tend to sway towards purple.

Red – Red is a very powerful color, it’s a strong color, arguably one of the brightest. It is known to create a sense of urgency and is often associated with fear or love. Its energizing properties grab attention and hold focus. Red is also known to encourage appetite and is often used by fast-food chains. Think about Mcdonald’s, Chick-Fil-A, In-N-Out, Chipotle, and Pizza Hut, shoot, now that I’m listing them it’s harder to think of fast-food chains that don’t use red in their logo! 

Blue – Blue is arguably one of the most well-liked colors. It is associated with trust and security and is often used to represent tranquility, peace, water, and reliability. Men often prefer the color blue, so, if your main audience is men, think blue! Further, blue is the most common color used by companies in the corporate space. Think HP, Dell, Intel, and IBM.

Green – The color green is often used to promote balance and harmony and is generally associated with things like money, power, health, and nature. Green can stimulate tranquility within the brain and can lead to decisiveness among customers. Many eco-friendly or environmentally conscious brands use green in their branding, for the obvious reason that the most common color associated with nature and the environment is well… green.

Yellow – Yellow elicits joy, cheerfulness, and optimism. If you are trying to portray anything happy, yellow is probably the color you want to go with! Yellow can also be known to awaken the child in us, companies offering pleasurable, fast-accessible products or services often use yellow in their branding, companies like Mcdonald’s or Best Buy have benefited from using yellow in their branding.

White – White is often associated with purity and cleanliness. It can represent new beginnings and simplicity. As beautiful as it can be when used properly, avoid using too much white in marketing campaigns, as it can be seen as too minimal and boring.

Black – Black is used to portray things like seriousness, power, sophistication, or authority. Black, as a powerful color, can often be overused, and therefore misused. When used correctly black can look extremely sharp and powerful, but be sure to tread lightly.

While color plays a huge factor in the influence of your consumers, it is still important to remember all visual factors play a role in the success of your campaign. But now that you have color psychology in your toolbelt, your campaign can be that much more successful.

10 Daring Designs for Dazzling Table Tents

At Printing For Less, we know table tents design like the backs of our hands. After all we see them all the time. As it happens, so do you! But maybe you haven’t noticed them. Table tents can be found everywhere, but are especially common in establishments such as restaurants or cafes. Like most people, you probably gave it a cursory glance before depositing it out of the way of your conversation or your in-coming drink order.

If you are into marketing (since you’re reading this, you must be) then you may have given that piece of cardstock a longer than average look. You might have assessed the table tent’s design, the color scheme, font choices, maybe even the stock images that were selected. But let’s face it: most table tents rarely inspire more than a quick look at the monthly specials. It doesn’t have to be that way! These little gems are a fantastic under-appreciated resource: inexpensive, designed to meet any need, and so easy to set up that even a rampaging horde of unsupervised temps could still get them right.

Here are 10 unique table tent designs that are elevating the lowly table tent from clutter to eye-catching.

1. Table Flyer

These are a fabulous way to generate interest in a restaurant, cafe, or fundraising event. Although they are technically table tents, these almost defy the term with their unusual design. A colorful array of tantalizing dishes draws your audience in to peruse the interior. Keep up their interest peaked with a few fantastic fonts in varying sizes to make the contents as dynamic as the exterior.

What exactly does fine wine have to do with finance? We have no idea. But pyramids have been elevating the concept of wealth to new heights for thousands of years. These table tents are positively decadent in luscious hues of cabernet and rose. Try adding gold foil highlights to compliment the rich undertones and add some lux to your royal design.

cool table flyer design

 

2. Pyramid

What exactly does fine wine have to do with finance? We have no idea. But pyramids have been elevating the concept of wealth to new heights for thousands of years. These table tents are positively decadent in luscious hues of cabernet and rose. Try adding gold foil highlights to compliment the rich undertones and add some lux to your royal design.

pyramid table tent design

 

3. Gatorade

Gatorade has built an empire upon athletic prowess and this table tent makes the most of that association. Relying upon the brand recognition of their classic shade of orange, this topper goes the extra mile by identifying with the viewer through an act as simple as running. Throw in a couple of one-liners and a quick pitch on the back and they are off to a great start.

triangular table tent design

 

4. Energy and Power

Table tents are so frequently about food but these ones really take the cake. Vibrant colors and great illustrations create a tactile experience that makes your audience hungry for more. Use a complimentary banner or artistic fonts to keep the interest peaked. Whether you’re selling baguettes, bathmats, or BitCoin, effective imagery grows your audience and builds anticipation.

3 standard table tent designs

 

5. Tiger

A yawning maw to make even the most daring marketing exec pause! But look! This one has been transformed into a catchy little game. Whether your clientele chooses to blow their sleeve intact from the straw or ball it up and launch it by hand, they are already engaged with your brand and having fun. Who knew that a table tent could do so much?

special function table tent

 

6. Myths and Legends

Mainstream doesn’t have to mean boring. Podcasts are everywhere and that means that it can be easy to get lost in the deluge of new ones popping up on the daily. Enter the Dragon! Messy, fat brush strokes and charred colors instill a sense of chaos and dynamism. You can almost smell the sulfur and smoke. This will certainly get people warmed up to this brand!

creative table tent design

 

7. Steele

As far as table tents go, this one pretty much speaks for itself. When making an impact, it pays to rely on simple ideas. Like an ad straight out of Vogue; from the glasses to the font everything about this piece is outspoken and larger than life. It refuses to settle for average. With it’s ‘Follow me’ attitude, it successfully creates a sense of mystique and gives the target audience something to talk about.

table tent ad

 

8. Geo-metric

A great play on an idea, this design kicks things up a notch and takes table tents to a whole new level. When a customer wanted to talk about the geothermal heat used in their kitchens, this designer gave it shape. Geometric shape, that is! We love the play-on-ideas of the several ways ‘geo’ features in this design. Playful and in primary colors, it begs to be handled, picked up, rolled, and of course, read. The fonts are wonderfully organic and make the information accessible all at once.

geometric table tent design

 

9. Everyday Magic

For office workers across the world, the restorative powers of caffeine can certainly seem like magic. But sharing the experience of your favorite hot beverage with friends (whether in the office or out) can make that everyday event something special. That was obviously the idea in mind for this promotional material. With the magic of a die-cut, you too can share that experience with your friends and clients. That kind of everyday magic isn’t a complicated idea and neither is this design. Au natural cardstock, a sweet but simple illustration, and a great idea. Throw in some kitschy fonts and light use of color and we have ourselves a winner! With a small modification, this design would even make a superb gift card holder for your next promotional event (hint hint!)

die cut table tent design

 

10. What is It?

Although this design was developed as a mock-up for an imaginary product, it is simply spectacular. The fact that it also doubles as a centerpiece or gift bag is just another reason to love this inspirational work. Anyone can try their hand at a black and white design, but it takes skill to make an intriguing product. Graceful fonts worked in gold make a beautiful accent in this presentation. Instead of distracting from the overall effect, they elevate the design and leave us wondering, what is this product and where can I get one?

gift bag table tent

With so many gorgeous options to choose from, you will be hard-pressed to pick just one table tent for your next promotion. But with your ideas and the know-how of our expert designers at Printing For Less, together we can build the marketing campaign of your dreams.

Want to find out more? To get started, call 800-930-6040 and take advantage of table tent printing today!

Check Out Your Color Files with Separation Preview

Color is a big topic. And there’s a difference between on-screen color and in-print color, which is most important to remember (and troubleshoot) if you’re going to print.

As graphic designers working between multiple platforms and applications, we can sometimes forget which mode we’re working in, or which colors have been applied where. The outcome? We can get results we’re not expecting when we send our files to the printer.

We don’t want that to happen to you. And one way to prevent any unexpected color results is to preview the print output before we send our files out the door (or email box). It’s wise to check the settings for the actual inks and make sure they’re going to interact in a predictable and satisfying way, for both you and your client.

The Separations Preview tool provides you with a visual display of how the various color inks in your document will interact with each other on the printed page. You’ll only need this panel if you’re going to be doing any commercial printing; if you’re sticking to your home printer (laserjet, inkjet, and the like), you won’t need to bother with separations. The Color Separations Preview will help you prep your files when you’re sending your job to a professional print house.

Since both Adobe Illustrator CC and Adobe InDesign CC are popular print layout powerhouses, we’ll focus on the Separations Preview in these applications. This way, you’ll be prepared for how the various process colors will interact with each other when you commercially reproduce an Adobe document.

Launch Separations Preview in Illustrator

Here’s how to launch Separations Preview in Illustrator. Go to Window → Separations Preview to launch the Separations Preview Panel.

 

illustrator separations preview

 

If the panel seems to be empty, check to make sure your document is in CMYK color mode. While you don’t have to work in CMYK just because you’re printing a document commercially (especially when using spot colors, which exist independently of the CMYK plates), you won’t be able to use the Separations Preview unless you are.

You can check your color mode by going to File → Document Color Mode. Make sure there’s a check next to “CMYK Color.” If “RGB Color” is checked instead, then change it to CMYK.

 

document color mode

 

Be aware that the saturation of the colors on your screen will become more muted if you make the change to CMYK, since RGB is considered a more “lively” color space than the printed page allows. In fact, if you have a document that only uses spot colors and no process color plates, some designers believe they can see the spot colors better if they leave the document in RGB. It’s your choice; just be aware of the pros and cons of each!

What you should see, once your document is in CMYK color mode, is a list of the four process color inks (cyan, magenta, yellow, and black) along with any spot colors which exist in your swatches panel. Spot colors are premixed inks which don’t  separate into the process components.

 

illustrator separation colors

 

To activate the actual separations preview, you’ll need to check the box next to “Overprint Preview.” Overprinting relates to how the inks interact; because they’re translucent, when each ink is printed on top of the others, you’ll a deeper visual range.

After that, you can decide whether you still want to see all the spot colors that have been defined, or only the spot colors actively in use. If the latter, check the “Show Used Spot Colors Only” box at the bottom of the Separations Preview Panel.

 

overprint preview

 

Note that nothing that you change in the panel will affect the actual print job; turning any of these checkboxes on or off simply allows you to see what will visually happen as the various colors interact.

In order to preview any one ink by itself, use the keyboard shortcut Alt + click (PC) or Option + click (Mac) while clicking the eye on the left side of the color indicator. You’ll then see a preview of all of the places in your document where that ink will be printed (where that color plate will be used). Here, we’re previewing the black plate only:

 

separation preview black

 

To restore the visibility of all the inks, simply Alt-  or Option-click again next to any ink swatch.

You can also toggle inks one by one to see different combinations of interaction. In this image, for example, the interaction of just the cyan and yellow inks are being previewed.

 

separations preview cyan yellow

Using the Color Separations Preview in Adobe InDesign

Now that we’ve covered separation previews in Adobe Illustrator, do you want to know how to preview color separations in InDesign, too? We’re not covering how to actually print color separations in InDesign, but the Separations Preview panel will give you good information so that you can make sure your separations are set up correctly before actually going to print.  

Assuming you’ve already got an InDesign document open, you’re ready to make sure the right inks will end up in the right places when you print your InDesign file commercially. To launch the Color Separations Preview, go to Window → Output → Separations Preview.

 

output separations preview


When you first launch the Separations Preview panel, you won’t see much, but if you click the “View” panel menu, you’ll get to choose your display options.

 

separations preview off

 

When you choose “Separations” from the dropdown, InDesign will activate “High Quality” display for the entire document (which you could also manually activate by going to View → Display Performance → High Quality Display).

 

display performance high quality

 

It will also show you a list of all the inks (not color swatches, but the actual inks) used in your file.

Would you like to see how much of each ink is being used in various places throughout your document? Simply move your cursor around your document, and notice that the percentages change in real-time to the right of each ink/plate in the Separations Preview panel.

 

separations preview percentages

 

You get to see exactly how much ink is set to be applied at any and every point in the document.

With this level of feedback from InDesign, you’re really able to make sure your files are set up perfectly before sending them along to the printer. The visual nature of this kind of troubleshooting makes it easy to catch color assignment errors, and your printer will be grateful! Your clients will be grateful, too, when perfectly printed pieces arrive on their doorsteps.

Now, let’s actually look at color separations. We’ll be able to see exactly which colors are applied to exactly which objects on your page, and in which densities.

Click on any color (magenta, in this example) to see what exists on that particular color plate — literally, what that color plate will look like

 

separations preview magenta

 

By turning on and off the various colors (by clicking on the eyeballs on the left), we get what’s called a “color build” — we can see various plates combined, and add more plates gradually to build up the cumulative ink density.

At first glance, this may not seem particularly useful, but a cyan-magenta-yellow color build can help you identify text, for example, that should be black but isn’t. If you have cyan, magenta, and yellow all turned on (but black turned off) in the Separations Preview panel and then go through your document page by page, you’ll immediately see items that should be black but aren’t.

If you have the black plate turned off but still see “black” text, that’s your a red flag! To remedy any non-black text or objects that should be black (and not a combination of the other process colors), first, select them. Then, open the Swatches palette, and click the black process swatch to assign that text or those objects to that plate.

Printing for Less (Printing For Less) has been an industry leader and provider of high-quality, unique printing services since 1996. Though we are a large company with customers across the globe, we treat our customers with the attention and care you’d expect from a luxury printing boutique. From business cards and banners to letterhead, flyers, and beyond — Printing For Less knows printing like no other. Let’s talk about your project! Our print consultants are available 7am-7pm MT Monday through Friday at (800) 930-7978.

How To Save Images in Photoshop EPS Format

This is the third posting about formats for saving images. We started a couple weeks ago with the Photoshop PSD format. EPS stands for Encapsulated PostScript because it was designed as a way of saving graphics to be used with PostScript printers. However, today the format is showing its age because it doesn’t support a lot of the features which we can create in Adobe Photoshop –for example, layers, transparency, Smart Objects, etc.

Notice in the dialog box below that when I save a layered file with transparency, I see an alert icon in the Save As dialog box, and the notice that the “File must be saved as a copy with this selection” because data will be lost.

This is not a good format for non-PostScript printers (for example, inkjet printers) because these printers can only print the low-resolution preview.

eps format save as

Traditionally, EPS was the format used to save silhouetted images with a clipping path, and was used to save multitone images (duotone, tritone, or quadtone). However, the native Photoshop format can save all of those things so there are generally no advantages in saving as EPS to do those things.

Photoshop EPS format can also save vector data like type or vector shape layers. The vector data will be sent with sharp edges to a PostScript printer. However, if you try to reopen the EPS file in Photoshop to data will be re-rasterized so will become soft, not sharp.

When you save as Photoshop EPS, you have the options shown below. The Preview option chooses how you create a low-resolution preview that is used for viewing or printing on non-PostScript printers. Encoding determines the way the data is delivered to the PostScript printer. (If your commercial printer asks for this format, ask which option works best with their PostScript processor.) The defaults work in most cases.

Need help with your print? Talk to a live print expert today: 800-930-7978.

eps options

Idea Pack Downloads, Where Function Meets Design

Have you seen our free idea pack download? In case you haven’t, follow this link to download some refreshing ideas for your next custom print project:

Print Marketing Design Ideas

This idea pack showcases some of the best custom designs we’ve created for some of our more imaginative customers here at Printing For Less.  The download includes information about how to make your marketing materials stand out through finishing options such as die cutting, foil stamping or embossing, as well as great fold options to diversify any project. You’ll want to check out the new products that we’ve added to the mix, as well as the old standbys that won’t be forgotten. As always, we want to make your project as successful as possible, this idea pack has information on what materials will produce the best results and tips on what products are best suited to your industry.IdeaKit1Large

Need help with your print? Talk to a live print expert today: 800-930-7978.

Taxi! – Marketing with an Effective Postcard

Don’t get taken for a ride while you’re getting taken for a ride.

Who wouldn’t want to ride in one of the KEY LIME TAXI’s fleet of vehicles? They are top quality, clean, and come in white and vibrant lime green. You can’t miss them. Started in 2011 by a police detective, the company is making taxi service for area residents fair and affordable. The company is both environmentally and budget friendly. The hybrid vehicles save on gas and that savings is passed on to the customer. The Key Lime Taxi Company rewards repeat customers with a V.I.P. Card that entitles them to $1.00 off of every ride they take.

marketing materials printing

They recently printed these cards with PrintingForLess.com. This stunning black and bright green card was printed on 100# uncoated cover stock with a dull matte finish, giving it a sophisticated feel. The company’s logo is perfect with a key lime shape rising above a classy vintage vehicle, doubling as its roof line. Good logo design is half the battle.  Creating a printed piece to promote your business in a memorable fashion is “key” to getting the results you desire. Contact us today to get your printed marketing materials. 800-930-7978.

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